Cold War – A fascinating memory project and dissection of how buried histories and superimposed ideologies impact our lives and choices. With this and 2013’s Ida, director Pawel Pawlikowski seems to be embarking on a larger national identity project: What does it mean to be Polish in Europe today? And what did it mean before? He frames his questions here through an epic love story of two musically gifted Poles, as they scurry around mid-century Europe, trying to make sense of what they want from their lives and eachother. Pawlikowski’s direction around framing, time, and sound is worthy of closer examination. My only complaint is that at times the austere manner stifled my emotional connection to the drama. Nevertheless, this is one of the best movies of the year.
Madeline’s Madeline – This movie very cleverly flattens the barriers between mental illness, being a teenager coming of age and rebelling, being a half black girl in liberal NYC, performance, and authority. I really dug how Decker puts each of these factors on the same continuum as borne out by the films style, in particular by the camerawork and editing. Break out performance by Helena Howard as Madeline.
Eighth Grade – Millennial nostalgia and teenagers with social media technology commentary. Burnham as director is surprisingly interested in lighting! The scenes at night with Kayla in the dark of her room, her iPhone as the sole light source, always disrupted momentarily by the light from the hallway door as her father peaks in to say goodnight, are among the film’s best. A little too sappy at the end for my taste, but an excellent comedy overall. Looking forward to more from Bo Burnham and Elsie Fisher.
Private Life – Insightful, and very funny, exploration of a topic that was oblivious to me. Peak Giamatti.
Can You Ever Forgive Me? – A delightfully drab film and a stealth portrait of the AIDS crisis in NYC. The excellent chemistry between Melissa McCarthy and Richard E. Grant makes this an entertaining, if slight, film.
Shirkers – I really applaud the courage a movie like this takes. Jumping back into a painful, life-altering episode and fashioning it for public consumption cannot be fun and Tan graciously chooses to make the experience fun and often exciting. In its construction, it is unlike any film (documentary, or otherwise) that I’ve seen and I won’t spoil exactly why; but in substance I didn’t feel like this was offering much to chew on. George is a fantastic character, the dynamo for the entire project, but as a mysterious, compulsive story-teller/liar I didn’t find much insight that isn’t already covered in better documentaries like Tabloid or The Imposter.
Hold the Dark – People are like wolves! I wanted to like this much more than I did. Wright is convincing as a grizzly wolf expert and Skarsgard is convincing as a tall guy and quite great in the morgue scene. The movie’s momentum and tone just gets shot off the rails after the mid movie gun battle. I also felt that Saulnier failed to get the environment working for him. If there was a buried narrative about Alaska, I was unable to piece it together.