Two links that are the most impactful Covid-19 thinking I have come across. Both from April, both from the minds of Big Tech titans, and both before the full tragedy and the catalyzing social effects would come into focus.
The first is the opening 10 minutes of Eric Weinstein’s podcast The Portal, Episode 31 with Ryan Holiday. In it Weinstein paraphrases a recent conversation with his wife, a notable economist. In the recounting, she is explaining to him how Covid-19 represents every aspect of the future, a sweeping statement by any measure. But any skepticism you may harbor is immediately overcome by Weinstein’s profound stream of inter-related issues stemming from this pandemic. Take a listen here:
The Portal, Episode 31 – Ryan Holiday
It’s an amazing summary, though it obviously excludes the activism in recent weeks after the murder of George Floyd. The final minute hypothesizes that it didn’t have to be Covid-19, but any sufficient global crisis would have highlighted how interconnected all of these current issues are. It’s a tantalizing thought.
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The second link comes from Marc Andreesson. It’s an American call to arms and I’ll let it speak for itself. MA’s essay also excludes notions of social or racial reckoning as a form of building, but I feel comfortable enfolding that goal into his larger message. One of the miraculous outcomes from the recent social justice protests is large support for re-imagining entire social structures.
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On culture and history, one of my most over used metaphors is to describe the object or event as a prism through which the refracted light of the world is able to be seen (almost always I am listing a specific idea or theme that is being refracted, I tend to abstain from saying phrases like “the light of the world”, but I digress). What is the angle of the light; which focal lengths and materials were used; who crafted the prism; where do you stand in relation – all integral questions that frame any understanding.
I am conditioned to see more or less of the world given the size and magnification of any single prism. I tend to see less through the pin hole of a single painting than I do from a film, though both encode meaning that extends beyond their respective frames. What I believe Weinstein was getting at above is that Covid-19 represents a massive prism. As the virus continues to roil this country, and now much of the developing world, we should remember that this is not normal, this is extraordinary. Our collective understanding and response to this event should match the scale.